FilmSkills Unlimited

Learn the entire filmmaking process! Unlock all 20 FilmSkills Courses for LIFE, plus 75 FREE bonus lessons, FREE new content, personal training, and discounts on top software and gear.

Unlimited Access

Unlock all 300+ high-value video tutorials. Jam packed with over 100 hours of on-the set content, illustrated tutorials, and much more.

FREE Updates

We are constantly producing new videos, and you will be the first to get all new content... and the best part is it's included in your membership!

FREE Downloads

Download hundreds of contracts, forms, and samples you can use on your own productions.

Sample Footage

Download free sample footage to hone your editing skills. We will show you the skills, and now you can practice to improve your craft.

Product Discounts

Save 60% on Final Draft software, and enjoy discounts on LEDGO lighting products. For FilmSkills Unlimited members only.

Personal Consultation

Your membership includes one hour of one-on-one phone training with one of our instructors. Ask whatever you want!

See What's Included

When we say FilmSkills Unlimited covers the ENTIRE filmmaking process, we really mean it.

How to Break into the Film Industry
Career Advice from the Pros	21:13
How to Get Your First Job	22:54
How to Move to Los Angeles	18:13
How to Make Money in the Film Industry	24:37
Realities of a Career in the Film Industry	27:18
The Art of Networking	22:17
How to Survive in Hollywood	17:00

How to Write Your Screenplay
Beginning the Writing Process	–
Working with a Writing Partner	–
Developing the Idea	34:58
The Changing Landscape of Television	34:36
How to Structure Your Story	33:07
Defining and Writing Comedy	29:36
The Hidden Tools of Comedy	32:02
The Three Act Structure	35:45
A-Story and Subplots	28:27
How to Fix Story Pacing Problems	37:01
Creating an Amazing Protagonist	33:13
Creating the Perfect Antagonist	23:08
Conflict Types	20:20
How to Write Memorable Supporting Characters	18:24
Understanding Character Archetypes	21:45
How to Develop Your Character’s Personality and Backstory	29:49
Writing Original Dialogue and Subtext	25:48
The Writing Process from Title to Outline	26:00
How to Write the First Draft	22:36
Techniques for Rewriting and Refining Your Script	31:52
How to Market Your Script to Producers and Agents	27:09
How to Become a Hollywood Writer Part I	10:53
How to Become a Hollywood Writer Part II	30:12
How to Work in a Television Writers Room	24:40
How to Write a Reality Television Show	22:22

Working with Final Draft Software
Final Draft – Script Basics	26:05
Final Draft – Using Templates	13:02
Final Draft – Story Organization	15:21
Final Draft – Distributing Your Script	17:37
Final Draft – Tips, Tricks, & Utilities	28:00
Final Draft – Production	23:15

Producing and Development
The Studio System	33:09
Working for a Studio	26:19
Making a Business Plan	30:53
Packaging Your Movie	29:29
Agents and Managers	23:37
How to Pitch and Sell a Reality TV Show	28:54
How to Raise Money for your Movie	39:30
Taking Advantage of Tax Incentives	21:54
Forming a Production Company	32:54
How to Manage the Budget Money	36:07
Hiring the Crew	30:31
Working with Vendors	18:34
Unions and Guilds	35:40
Working with SAG/AFTRA	25:47

Scheduling and Budgeting
Beginning Pre-Production	–
Breaking Down the Script	19:11
Scheduling the Production	29:27
Scheduling the Day	30:03
How to Build a Budget	30:45
Production Insurance	19:45

The Crew
Crew Structures	–
Crew Positions	–
The Line Producer	37:33
The Unit Production Manager	28:57
Production Coordinator	19:53
1st Assistant Director	39:06
2nd Assistant Director	10:10
2nd 2nd Assistant Director	5:33
Production Assistants	31:36
Script Supervisor	28:44
Production Designer	21:14
The Art Director	11:26
Construction Coordinator	27:52
The Cinematographer	–
Camera Operator	26:13
1st Assistant Camera	11:24
2nd Assistant Camera	7:33
Key Grip	20:45
Best Boy	11:22
Grips	12:01
Working as a Grip	25:16
Dolly Grip	13:02
Gaffer	20:10
Best Boy Electric	9:57
Electricians	16:19

Camera and Lens
Building the Camera Package	–
How to Prep a Camera	14:37
Imaging Sensor and ISO	20:25
Frame Rates	20:02
Analog vs Digital	6:41
Film vs Video	26:57
Tripods and Sliders	17:58
Introduction to Lenses	22:00
Lens Care	9:28
Focus	23:21
Focusing Techniques	23:21
Exposure	26:43
How to Expose a Shot	25:16
F-stops and T-stops	17:42
The Zone System	23:03
Focal Length	25:00
Lens Focal Length	23:50
Macro Focus	9:28
Back Focus	4:51
ASA and Gain	4:13
The Shutter	12:54
Managing Your Media	–

Framing and Composition
Composing the Frame	21:48
Creating Depth in the Frame	17:20
The Actors’ Eyelines	9:26
Framing People	17:19
The Rule of 180 and Screen Direction	24:32
Shot Types	28:07
The Technicalities of the Frame	13:15
Using a Clapboard	11:04
Using a Light Meter	12:34
Using a Production Monitor	14:29

Lighting
Introduction to Light and Exposure	23:27
Attributes of Light	34:02
Tungsten Lighting	11:01
HMI Lighting	20:02
Kino-Flo Fluorescent Lighting	14:02
LED Lighting	7:10
How to Build a Light Kit	15:31
Low Budget Lighting Tools	9:37
Reducing Light	20:31
Softening Light	24:00
Shaping Light	17:51
Color Temperatures	23:05
Lighting a Scene	24:42
Lighting Daytime Exteriors	23:10
Working with Mixed Light	29:06
Lighting People	23:36
Three Point Lighting	21:28
Key Light Techniques	25:20
Advanced Lighting Techniques	17:15

Grip and Rigging
C-Stands	20:26
Clamps	19:19
Dolly and Track	12:54
Grips Tools	1:39
Rigging	9:45
Stands	2:50
Roller Stands	2:50

Directing Actors
Analyzing Character	25:37
Rehearsing with Actors	25:37
Rehearsing Exercises	24:47
The Art of Directing Actors	30:07
Acting in a Changing Industry	19:48
Acting Techniques	–
Acting Techniques for the Screen	28:33
How to Direct Actors on Set	36:29
Common Directing Mistakes and How to Avoid Them	21:20
How to Direct Background Extras	29:54

The Directors Craft
Beginning a New Project	30:29
Developing the Visual Look of Your Movie	38:22
A Day as a Director	–
How to Shoot a Scene	39:23
How to Direct a Scene	31:19
Blocking Actors	34:22
Basic Coverage	20:21
Advanced Coverage	26:18
How to Direct a Chase Scene	21:39
How to Create Invisible Camera Moves	25:42
Storyboards and Pre-Visualization	31:02
How to Create a Shotlist	17:48
Continuity and Script Notes	23:26
Working with the Military	20:23
Reality Show Interview Techniques	25:00

Production Design
The Art Department	29:54
How to Design a Set	25:28
Set Construction – Building Your Set	35:15
How to Dress Your Set	33:16
Creating the Look of the Environment	32:10
Props	36:16
Tour a Prop House	6:08

Shooting on Location
Finding Locations	19:13
Film Commissions	24:53
Working with Location Owners	34:47
Shooting on a Studio Backlot	–
Film Permits	22:58
Location Tech Scouting	26:03
Community Relations	25:00

Production Life
What to Bring to Set	9:31
Filmmaker’s Toolkit	10:40
Proper Set Etiquette and Behavior	15:44
Working with Difficult Personalities	22:56
Walkie Talkie Etiquette	14:59
A Day on Set	–

Audio Recording
The Physics of Sound	25:33
How Microphones Work	21:56
Microphone Pick-Up Patterns	18:55
Audio Pre-Production	26:36
Lavalier Microphones	18:18
The Microphone Boom	17:29
Boom Operating Techniques on Set	20:36
How to Record Audio on Location	23:02
Recording the Audio	35:09
Audio Configurations	20:00
Working with Cables and Adapters	19:18

Documentary Filmmaking
Introduction to Documentary Filmmaking	24:51
Finding the Story	28:18
Documentary Pre-Production	18:51
Choosing the Right Gear	32:08
Finding the Interview Location	18:53
Interview Camera Set-Ups	25:05
Preparing for the Interview	33:03
How to Conduct an Interview	32:05
Ethics and Objectivity	21:37
How to Shoot Amazing B-Roll Footage	21:52
Field Shooting Techniques	20:17
Editing a Documentary	28:41

Safety Training
The Attitude of Safety	20:27
Basic On Set Safety	34:55
On Location Safety	18:51
Studio Facilities Safety	19:42
Vehicle and Roadway Safety	16:37
Shooting Moving Vehicles	20:12
Lighting Equipment Safety	24:23
Grip and Rigging Safety	25:34
Electrical Safety I	32:19
Electrical Safety II	28:20
Lifts, Trucks, and Tools	18:49
Weapon Safety	25:13
Pyrotechnics and Special Effects	23:51
Environmental Safety	27:27

Editing
Introduction to Editing	–
Hiring an Editor	10:46
Working with an Editor	20:23
Concepts of Editing	37:39
Data Management and Workflow	26:39
The Assembly Cut	21:33
Stock Footage	20:58
How to Edit a Dialogue Scene	34:27
Editing Action	24:56
The Rough Cut	19:04
Test Screenings	21:34
The Fine Cut	14:44
Online and Offline Editing	8:28
Color Grading	15:40
Understanding Compression	–

Audio Post-Production
Intro to Audio Post Production	24:49
ADR	30:31
Directing Actors in ADR	28:19
Foley	33:33
Sound Effects	24:49
Mixing the Audio	31:18

Music Composition
Emotion Through Music	28:25
The Who and How of Music	31:29
Working with a Composer	47:33
Music Licensing	33:15

Film Marketing
Film Marketing	15:41
Reaching Your Audience	26:05
Designing the Key Art	16:11
Making a Movie Trailer	27:23
Building Your Website	5:43
Building a Press Kit	13:35
Working with the Media	17:56

Distribution
Introduction to Distribution	32:55
Film Ratings and the MPAA	14:09
Domestic Distribution	23:32
Foreign Distribution	37:19
Mistakes Filmmakers Make at Film Festivals	30:05
Film Festivals	26:46
Online Distribution	27:34

Over 80 top film schools added FilmSkills to their curriculum

UCLA
NYU
Emerson College
Chapman University
Ithaca College
Quinnipiac University

Yale University
Dartmouth College
Full Sail
University of Notre Dame
Waldorf University
University of Colorado

FREE BONUS!

Download hundreds of call sheets, budget templates, sound logs, crew deal memos, equipment rental forms… basically every form you may ever need. PLUS the storyboards, call sheets, directors notes, script notes, and much more from Emmy-winning directors, producers, and writers. See how the pros do it.

BONUS: 60% OFF Final Draft

We negotiated an amazing deal for our FilmSkills Unlimited members. Enjoy a 60% discount on the industry-leading screenwriting software, Final Draft. Normally $249.99, get it for only $99.99

PLUS 10% OFF LEDGO LIGHTS

FilmSkills Unlimited members will save 10% off LEDGO professional lighting. Enjoy the same lights we use to shoot FilmSkills videos.

" Thanks for all the great content on FilmSkills. I have never come across anything like it. Its truly amazing! "

Roger Jonsson

FilmSkills user

With FilmSkills Unlimited, you get...

Includes the content from all 20 FilmSkills Courses
Includes 75 FREE bonus lessons
300 Filmmaking Tutorials
120+ Hours of Video
Learn from 70 Academy Award and Emmy winning filmmakers
Over 200 Downloadable Contracts and Forms
Career and Technical Skills
FREE access to all new content
FREE access to all updates
60% off Final Draft screenwriting software
10% off LEDgo lighting

After graduating with my third college degree, I wanted to learn cinematography without sitting through classroom and lab a few nights a week for several semesters. I researched all the national and local “film schools” with the least expensive being around $10,000.00.

I found Filmskills and immediately, liked the site layout, the course, and more importantly Jason’s approach to online instruction/teaching. Jason Tomaric is personable, humble, and an excellent teacher. The guest instructors are industry icons who add their expert knowledge to enhance learning and comprehension. Filmskills is legit! The videos are on point! Everything is FANTASTIC!

Quentin Miles

Filmmaker, Brutha' Q Filmz

Why pay for individual FilmSkills Courses

when you can with FilmSkills Unlimited?

LIFETIME ACCESS!

One Time Payment

only

$949

Frequently Asked Questions

When does this course start?

It start as soon as you sign up, and it’s open to you forever. And, you can access the FilmSkills content on any desktop, laptop, or tablet.

Do I really get to keep it for life?

Sure do… and not just the current content, but all the future content we produce… and we have a lot coming.

What if It's not right for me?

Although it rarely happens, we will be happy to give you a full refund within 72 hours of when you joined. If you’re unsure, check out my online course to get a sneak peak!

Can I get personal tutoring?

Absolutely! Jason is always available to answer your questions via e-mail,, and he usually gets back you within a day or so, depending on his shooting schedule.